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Dog
Star Man
The movie “Dog
Star Man” directed by Stan Brakhage in 1964 is an experimental
Film about a man and his faithful dog. In the movie he utilizes himself,
his wife, baby and dog. As a limited supply of actors, the viewer
is stuck in a small world. This small world is cold with warming memories.
This is beneficial to Stan Brakhage so that he can project this image
of continual tension of the man climbing a mountain. Also adding the
constant fear of death and mystery to give it suspense. The rapid
cut of the film of trees and snow give a fearing near death experience.
The pain staking technique of painting on every frame of film would
have taken years in my eyes. The scratching on the film seemed random
rather than deliberate but it somehow works. The colors Stan Brakhage
used look like they are deliberate just the overall movement that
he applies to the markings does not.
The “Man” as himself is a generalized figure of man in
the generic term of the word. The man is climbing up the Colorado
Mountain but there is an eternal struggle of life throughout the whole
film. The symbolism of the male figure struggling throughout the whole
movie is a simile about man’s eternal battle throughout of everyone
life, which reiterates nothing, is easy or comes easy. The Stan Brakhage
is using the dog as man’s guide through the snowstorm but both
are cool and tired.
The “Wife” (his wife) utilizing old film pieces from his
other movies. Creating the “Wife” as a warm memory, using
a warm light and rapid clips of her body makes a loving and nurturing
look that he is remembering parts of her at a time. The woman in the
film is not really shown as a whole but a thought or a memory. We
as the viewer, only see bits and pieces of her actions that gave me
the impression of the man persisting up the mountain to get to her
loving arms.
The “Baby” in the movie is Stan’ s son. But it is
also used as a generalized one, of a baby. In the sense of taking
care of the wife and baby be getting to them to be the provider. The
man, trying to reach the baby and wife but not necessarily at the
top of the mountain but just in the intent of reach them and reuniting
with them. In the movie we can only assume that the man gets connected
with them again but I do feel like it does happen.
The “Dog”, as man’s best friend. Is the generalized
figure of dog, being faithful to the end. This animal is also in a
consent fight to the loyalty of the man but also had thought of the
dog being stupid for guiding him in a snowstorm and or up a mountain.
But I see the dog as the guide and can sense the wife and baby searching
for their smell. In the similar sense like a bloodhound would search
for a criminal in a forest to capture him for the police. The dog
is going the same for the man.
To reiterate the movie as a whole is inspirational. I enjoyed the
painted film technique that Stan Brakhage applied to the movie, scratching
and drawing, giving a pain-staking look to the movie. I would like
to try that in my own way or technique. I see the connection to the
title of the movie but only if hearing then commentary about the title
for a basis. The commentary helped in the plots foundation, otherwise
it would have probably took me just about the whole movie to get and
idea of what is going on and why is this man climbing a mountain with
a dog.
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